What is the difference between pentax k5 and k5 ii

Dioptre adjustment of The shutter is rated for , cycles, which is par for the course with consumer DSLRs. Both cameras support an ISO range of , and claim improved noise performance across the range and customisable high ISO noise reduction. Other functions that can be assigned to this button include exposure bracketing, digital preview, electronic level, composition assist and GPS when the optional GPS unit is in use. Both cameras come with a plenty of in-camera image processing options, including nine custom image tone settings and 18 digital filters.

Roughly minutes of movie playback is also claimed. If you use the DNG raw file format the raw files from the K-5 can be opened in most popular file conversion applications, including Adobe Camera Raw. Typical image sizes and compression ratios are shown in the table below. The K-5 II lacks a dedicated button for starting and ending movie recording so, as in the K-7, the mode dial must be set to the movie mode and Live View capture must be used.

Recording starts and stops when the shutter button is pressed. The default shooting mode is Program AE but the arrow pad accesses a Movie Aperture Control function that lets you adjust lens aperture settings with the rear e-dial. White balance and shutter speed settings are fixed at the start of each clip. You can move the focus point on the screen by pressing and holding the OK button on the arrow pad then tabbing with the directional buttons.

The same sub-menu lets you toggle between recording with and without sound. A microphone jack allows external microphones to be fitted. Movie stabilisation is also available.

Offering a 7. The build quality of this lens is a good match for the K-5 II body. Two inner barrels extend as the zoom ring is turned, adding 50 mm to its overall length of 76 mm. The 42 mm wide zoom ring is mostly clad with a dimpled runner grip and turns smoothly through approximately 90 degrees. The trailing edge of the zoom ring is stamped with focal length marking for the 18mm, 24mm, 35mm, 50mm, 70mm, mm and mm positions. As you zoom, the maximum and minimum apertures change, as shown in the table below.

The focus ring is located just behind the zoom ring and only 15 mm from the camera body. However, no distance scale is provided. The AF drive uses an internal Direct Current DC motor to provide quick, quiet autofocus operation and the Pentax Quick Shift focus system allows instant on-the-fly switching from auto to manual focus. The lens design includes 13 elements in 11 groups, with one aspherical element to compensate for spherical aberration.

The front element has a Super Protect SP coating that repels dust, water, and grease, making the lens easier to clean. However with wider apertures, edge and corner softening were quite obvious.

From about 70mm central sharpness began to decline and, although stopping down improved edge and corner sharpness slightly, they never matched the sharpness of the shorter focal lengths.

Most zoom lenses produce some vignetting edge and corner darkening at wide aperture settings and the review lens was no exception. Both cameras have a native aspect ratio sensor width to sensor height of Despite having a slightly smaller sensor, the Pentax K-3 offers a higher resolution of This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel with a pixel pitch of 3.

However, it should be noted that the K-3 is a somewhat more recent model by 1 year than the K-5 II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the K-3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output dots per inch amounts to The corresponding values for the Pentax K-5 II are For many cameras, data on sensor performance has been reported by DXO Mark.

The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators. Many modern cameras are not only capable of taking still images, but also of capturing video footage.

Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-3 provides a higher frame rate than the K-5 II. Beyond body and sensor, cameras can and do differ across a range of features. The K-3 and the K-5 II are similar in the sense that both have an optical viewfinder.

The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Pentax K-3 and Pentax K-5 II in connection with corresponding information for a sample of similar cameras. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The K-3 features dual card slots , which can be very useful in case a memory card fails. In contrast, the K-5 II only has one slot. For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process.

The table below provides an overview of the connectivity of the Pentax K-3 and Pentax K-5 II and, in particular, the interfaces the cameras and selected comparators provide for accessory control and data transfer. It is notable that the K-3 has a headphone jack , which is not present on the K-5 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers. Further information on the two cameras e. So what is the bottom line? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

If the count of relative strengths bullet points above is taken as a measure, the K-3 is the clear winner of the match-up 13 : 5 points. However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

Ask yourself how often do you switch from the center AF point? K-3 has got even more AF points- big deal! I thought the image quality of the D was a backward step from the D, high ISO was better too. The auto focus in low light is better and the redesign of the rear LCD has been change for better viewing in bright light. Not much else as far as I know. I purchased the K-5II because I often take photos in low light situations and can use all the help I can get!

Seriously, what is the difference between K-5 and K-5II? Every single specification are the same. The removal of an anti-aliasing filter.

It has faster autofocusing, dousan. Many Pentax shooters who've had all three cameras say it's the sharpest of the bunch, as far as pics go -- especially at higher ISOs. Those are the major improvements of which I'm aware. I'm still deciding if I want one as a new second camera now that I have the K Can you see the moire in the view finder?

I need a second bosy so I don't have to change lenses. Offering 16MP CMOS sensors, a unique shake reduction system, and a rugged weatherproof body, the Pentax K-5 II and K-5 IIS are compelling little cameras and in this review we'll explore their various standout features, as well as look at the difference in image quality between the two models.

Click through for a link to the full review. Firmware version 1. The update Pentax Q firmware v1. The updates are available for immediate download from the company's website - click through for download links. Both cameras retain the same body and 16MP resolution, but get an upgraded autofocus sensor and a new air-gapless LCD. We've started our review, but wanted to put up a quick look exploring whether there's a difference between the two in terms of image quality. Is it worth the hefty price tag?

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